Maclean wins Margaret Tait Award!

Rachel Maclean, 'Over the Rainbow', video still reproduced with kind permission of the artist

Rachel Maclean, ‘Over the Rainbow’, video still reproduced with kind permission of the artist

Massive congratulations to Rachel Maclean who has just been announced as the winner of the Glasgow Film Festival Margaret Tait Award! 

The prize recognises Scottish artists and Scotland-based artists who work within film and moving image in an ‘experimental and innovative way.’ Maclean will receive a prize of £10,000 alongside a commission to produce a new work to show at the film festival in 2014. – Art Review (14 May 2013).

You can see Maclean’s work this summer at the Edinburgh Printmakers’ Festival exhibition, I HEART Scotland (2 August – 7 September 2013).

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Samantha Sweeting: A HISTORY OF THE WORLD

SamanthaSweeting_theRhinoandthePeacockExcited about Samantha Sweeting’s new exhibition A HISTORY OF THE WORLD which opens this Thursday 16 May – Sunday 2 June 2013 at the Herrick Gallery, Shoreditch, London. I am currently developing a text in response to this new body of work as part of my on-going research on Sweeting’s interdisciplinary practice. Have a look at her wonderful web log Encounters With Animals which follows her residency at Spitalfields City Farm.

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Devils and Dolls Programme

Here is the draft programme for the Devils and Dolls conference this March:

Plenary speakers:
Professor George Rousseau, (Magdalen College, University of Oxford)
Dr Anna Green (University of East Anglia, Norwich Castle Museum)

WEDNESDAY 27 MARCH

Session 1: The Devil’s in the Details: Depictions of Monstrous Children
Chair: Jen Baker

A ‘Voodoo Doll in Diapers’ or a ‘Compliant Ready-Made Child’? (Ab)Normal Childhoods in Lionel Shriver’s We Need to Talk About Kevin (2003)
Sandra Dinter [Leibniz University, Hanover]

‘Forbidden Knowledge’: Tampering with Reproduction and Creating Monstrous Children
Caroline Egan [Trinity College, Dublin]

The Vampire Child: Predator and Prey
Professor Maria Holmgren Troy [Karlstad University, Sweden]

Session 2: Alternate Perspectives: Children’s Fiction
Chair: Pete Newbon

Disabling Virtues:  Disability, the Child and Children’s Fiction
Dr Sarah Wood [Birmingham City University]

Little girls lost (with scary powers): how do children respond to Neil Gaiman’s Coraline and Roald Dahl’s Matilda?
Dr Julia Round & Dr James Pope [Bournemouth University]

“The headmistress is a vampire!” Reflections on the cathartic role of Misty as a navigational aid through puberty
Professor Andrew Melrose and Catherine Patten, [University of Winchester]

Session 3: Toy Soldiers: Politicising the “foreign” Child
Chair: Georgie Payne

The Child as ‘the oppressed’: Rereading the modern child in Hindu/Urdu fiction
Saudamini Deo [Jadavpur University, Bengal]

Barbed Wire and Lead Soldiers: Child Protagonists in Holocaust Literature
Lia Deromedi [Royal Holloway, University of London]

“Picturing the young ‘Other’: The Ambivalence of Augustus F. Sherman’s Child Portraits”
Klara-Stephanie Szlezák [University of Regensburg, Germany]

Session 4: On the threshold: the Liminal Child
Chair: Sarah Wood

Young Prophets and Child Demoniacs: the spiritual liminality of childhood in the early modern world
Dr Anna French [Honorary Research Fellow University of Birmingham & University of Gloucestershire]

Who Has Stolen the Child’s Dream?: From J.M. Barrie’s Neverland to Jeunet and Caro’s The City of Lost Children.
María Casado Villanueva, [University of Santiago de Compostela, Spain]

A Child on the Move: The Mapping of American Heterotopias in Reif Larsen’s The Selected Works of T.S.Spivet
Olga Tarapata [University of Cologne, Germany]

Session 5 : “And where thy dark eye glances”: the Nineteenth-Century Child
Chair: Liz Renes

‘From Idolatry to Iconoclasm: Transgression and Reparation in Wordsworth’s Childhoods’
Dr Pete Newbon [Northumbria University]

‘The game of the moment’: the devilment of innocence in Henry James’ The Turn of the Screw.
Dr Charlie White [Independent Researcher]

Undressing the Doll’s Dressmaker: Jenny Wren’s Critique of Childhood, Femininity and Appearance
Ben Moore, [University of Manchester]

THURSDAY 28 MARCH

Session 6: Re(en)visioning the Child
Chair: Saudamini Deo

Seeing No Evil? Traces of Wickedness in the Lands of Oz
Jessica Campbell [University of Washington, USA]

From “Foul” Witches to “Fair” Waifs:  The Ghost Children of Michael Boyd’s Macbeth
James Alsop [University of Exeter]

‘Revolution is like Saturn’: children as metaphors of unsettlement
Dr Ivan Phillips [University of Hertfordshire]

Session 7 : Deceptive Appearances
Chair: Dr Catriona McAra

Deceptive Appearances: the Mask of the Monstrous Child
Jen Baker [University of Bristol]

Contrasting images of children in Margaret Atwood’s Fiction
Professor Teresa Gibert [UNED, Spain]

Innocents?: Children in the Early Fiction of A. L. Barker
Kate C.Jones [University of East Anglia]

Session 8: Society’s Child
Chair: Maria Holmgren Troy

A study of the representation and reception of children as subjects of crime news
Georgie Payne [Loughborough University]

The ‘Before and After’ Child in the Barnardos Children pictures
Gavin Maitland [V&A Museum, London]

The ‘wonder of all Wonders’: Fasting Girls as Providential Wonders in Early Modern England.
Sarah Watkins [Birkbeck, London]

Session 9: Through the Looking Glass: the Child and the Gaze
Chair: Jessica Campbell

Portrait D’Enfants: John Singer Sargent and the aesthetic Child.
Liz Renes [University of York]

The Problem with Innocence: reading the child in Charles Dodgson’s photographs
Jessica Sage [University of Reading]

Looking at Japanese schoolchildren- Photographs of children in uniforms
Aurore Montoya [University of the West of England]

Session 10: Into the Doll’s House: The Child in Fairy tale
Chair: Ben Moore

“The Punish”: Sadeian Games in the Fairy Tales of Kate Bernheimer
Dr Catriona McAra [University of Huddersfield]

‘It’s almost as if they want to be eaten’: Sinful and virtuous Red Riding Hoods in Sisters Red.
Nicola Burke [University of Western Sydney]

‘The Commodification and Consumption of the child: dolls, fairy tales and Little Orphan Annie in selected poetry of Anne Sexton’
Nicola Presley [Bath Spa University]

Session 11: Talking Taboo: Attraction, Repulsion and Censorship
Chair: Sandra Dinter

“Daisy Miller, Bottled-lightening Girl: Applying William James and G. Stanley Hall to Winterbourne’s Erotically Charged ‘Study’ of Daisy Miller”
Karrie Ann Grobben

The paradox of the innocent child in shunga (sex art) and the sexualised child in Utamaro’s mother and child prints.
Louise Boyd

‘I am Reborn’: Familial and Societal Reactions to Queer Children in neo-Victorian fiction.
Dr Louisa Yates [University of Chester]

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Wider Worlds and Other Reviews

ImageNice review of The Wider Worlds of Jim Henson: Essays on His Work and Legacy Beyond The Muppet Show and Sesame Street by Joe Hennes (4 February, 2013). My book chapter is entitled ‘A Natural History of The Dark Crystal: The Conceptual Design of Brian Froud.’

Surreal Phantoms also received a nice review this week on Surrealismo Internacional. Congratulations to Neil Coombs!

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Dorothea Tanning: Unknown but Knowable States

Dorothea Tanning Unknown but Knowable States at Gallery Wendi Norris, 2013.(Cover Image, Dorothea Tanning, Chiens de Cythère (Dogs of Cythera), 1963, Oil on canvas, 77 12 x 117 in.Just arrived in San Francisco for the Dorothea Tanning: Unknown but Knowable States exhibition at Gallery Wendi Norris which opens this Thursday 10 January. Here are the details for the show and a related round-table event that I will be participating in on Saturday 12 January:

Cited as one of the “30 Must-See Shows in 2013” by Artinfo, “Unknown but Knowable States” features rare and ground-breaking paintings, drawings, and sculptures by Dorothea Tanning (American, 1910-2012). For the first time, the gallery is dedicating the entire 5,000 square foot space to one artist, paying tribute to Tanning’s fearless vision and prolific oeuvre. The exhibition focuses on works created between 1960 and 1979, during which the Surrealist artist and writer lived and worked in Paris. The show will include over thirty pieces, and is documented in an 80-page catalogue.

Please join us at the opening reception on January 10, 5:00 – 8:00 PM and experience firsthand why the Huffington Post recently proclaims that “Unknown But Knowable States” reaffirms Tanning’s status as a force to be reckoned with in art.

On Saturday, January 12 from 2:00 – 3:30 PM, Gallery Wendi Norris will host a Dorothea Tanning Round Table Discussion. Participants include Ilene Fort, Curator of American Art, Los Angeles County Museum of Art (LACMA), Patricia Maloney, Founder/Publisher of Art Practical, and Dr. Catriona McAra, Tanning Scholar, University of Huddersfield (England).

The exhibition catalogue is available on our website. It includes an introduction by Wendi Norris and an essay by Dr. Catriona McAra. Dr. Catriona McAra completed her doctoral thesis on the art and literature of Dorothea Tanning in History of Art at the University of Glasgow (Scotland), and is currently Research Assistant in Cultural Theory at the University of Huddersfield (England). She is working on her first monograph, a visual reading of Tanning’s novel Chasm: A Weekend.

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Leonora Carrington: Call for Papers

LEONORA CARRINGTON AND THE INTERNATIONAL AVANT-GARDE
Essay Collection: Call for Papers
Edited by Jonathan P. Eburne and Catriona McAra

One of the most unconventional writers and artists of the past century, Leonora Carrington (1917- 2011) was also one of the most central to the production of modern art. Born in England in 1917, she participated in the surrealist movement in Paris during the 1930s, escaped from Nazi-occupied France through Spain during the war, and then lived in Mexico City from 1945 until her death in May 2011. With a career spanning over three quarters of a century, she was at once a British writer, a French surrealist, and a Latin American artist and author who was very much part of the “boom” generation of Magical Realists as well. Her work featured strongly in feminist literary and art criticism of the 1970s and 80s, and her novels and stories were collected and published in English, French, and Spanish. This will be the first major scholarly study of Carrington’s impact on modern art and literature as a whole, focusing on her interaction with international avant-garde movements such as surrealism and the Latin American boom.

A fascinating author and artist in her own right, Carrington is also one of the most powerful—if under-recognized—intellectual figures of the twentieth and twenty-first centuries. While previous studies have tended to interpret her practice as marginal to the avant-garde or on the feminist fringes of Surrealism, we propose to re-read the avant-garde through Carrington as a key player. Just as her own career brought her in contact with artists and intellectuals in Britain, France, Germany, Spain, Hungary, the United States, and Mexico, her work is likewise multifarious. It both draws from a dizzying array of cultural reference-points, and yet—more profoundly still—also offers tools for working through these systems of reference, in ways that are by turns uproariously funny and deeply moving. Carrington’s body of experimental art and writing provides us, we propose, with nothing less than answer to the crisis in knowledge-production we face in today’s world of information systems and diminishing faith in the sustainability of art.

Chapters already solicited include Carrington and Irish fairy tales, Carrington and Magic Realism, Carrington and the new novel, Carrington and the Virago Press, Carrington and epistemology, Carrington and the Italian Renaissance. We invite proposals dealing with others aspects of her multifaceted oeuvre, particularly, but not limited to, the following:

  • Carrington’s Education in England
  • Carrington and French Surrealism
  • Carrington and Mexico (post-1968 especially)
  • Carrington and Latin America
  • Carrington and Sorcery, Magic and Myth
  • Carrington and her contemporaries (other than Max Ernst)
  • Carrington’s later works
  • Carrington and the aristocracy/family
  • Carrington and alternative modernism

Deadline for abstracts 31 January 2013
Please send detailed 300 word abstracts, a working bibliography and short biography/CV to Dr Catriona McAra and Dr Jonathan Eburne at: c.f.mcara@hud.ac.uk and jpe11@psu.edu

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Exploring the Cultural History of Continental European Freak Shows and ‘Enfreakment’

Announcing the publication of Exploring the Cultural History of Continental European Freak Shows and ‘Enfreakment’ edited by Anna Kérchy and Andrea Zittlau. I especially like their choice of cover image by the visual artist and graphic designer David Caines (b.1963) which is entitled Humboldt’s Wedding (2010). My article is entitled ‘Longing for Endor: Little People and the Ideological Colonization of the European Fantasy Genre.’ With reference to Susan Stewart’s study On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (1993), I consider the fantastification and enfreakment of miniature bodies within a broad cultural sphere which encompasses the Munchkins of Victor Fleming’s film The Wizard of Oz (1939) and the Ewoks of George Lucas’ Star Wars: Return of the Jedi (1983). Focusing on the dwarf actor’s body within the fantastic domain, I discuss the Hollywood film industry’s reverse colonization of Europe and Europeans.

The flyer can be found here: Exploring the Cultural History of Continental European Freak Shows.

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