C. McAra. ‘A Natural History of The Dark Crystal: The Conceptual Design of Brian Froud’ in From Fraggle Rock to Farscape: The Worlds of Jim Henson, edited by Jennifer C. Garlen and Anissa M. Graham (Alabama: McFarland). Forthcoming.
C. McAra. ‘Of Paper Cut-Outs and Other Worlds: Cottingley, Collage, Cornell and Conan Doyle’ in Inklings Jahrbuch für Literatur und Ästhetik: Der Andere Conan Doyle, No.29 (Peter Lang, 2012), 98-120.
C. McAra. ‘Surrealism’s Curiosity: Lewis Carroll and the Femme-Enfant’ in Papers of Surrealism, issue 9 (2011).
C. McAra, ‘ “Blind Date”: Tanning’s Surrealist Anti-tale’ in Anti-Tales: The Uses of Disenchantment, edited by C. McAra and D. Calvin (Newcastle Upon Tyne: Cambridge Scholars Publishing, 2011), 100-114.
C. McAra, ‘(Re-)Reading (Post-)Surrealism Through Dorothea Tanning’s Chasm: The Femme-Enfant Tears Through the Text’ in Postmodern Reinterpretations of Fairy Tales: How Applying New Methods Generates New Meanings, edited by Anna Kérchy (Edwin Mellen Press, 2011), 421-442.
C. McAra, ‘Prescription Narratives: Re-reading Joseph Cornell’s Pharmacy Series as Modernist Anti-dote’ in The Apothecary’s Chest: Magic, Art and Medication, edited by K. Georganta, F. Collignon, A. M. Millim (Cambridge Scholars Publishing, 2009), 59-70.
